The TORAIZ AS-1 is driven by a fully programmable, true analogue synthesis engine based on the discrete analogue circuitry in Dave Smith Instruments’ Prophet-6 synthesizer. It also inherits 7 on-board effects from the Prophet-6 synth as well as a brand new digital distortion. COLLABORATION WITH DAVE SMITH Working closely with Dave Smith himself, we have created a synth that produces powerful analogue sound. The TORAIZ AS-1 is an ideal addition to the setups of professional and aspiring producers. PROPHET-6 ANALOGUE SOUND The AS-1 is based on the same analogue filters as Dave Smith’s renowned Prophet-6 synthesiser. It has 2 voltage-controlled oscillators (VCO) with continuously-variable triangle, sawtooth, and pulse wave shapes. Sculpt your sound using the 2 voltage-controlled filters (VCF), a 4-pole, resonant low-pass filter that can self-oscillate, and a 2-pole, resonant high-pass filter. FULL PROGRAMMABILITY Use the TORAIZ AS-1 to create one-of-a-kind sounds using 2 VCOs, 2 VCFs, and VCA, 2 EGs and 1 LFO, then save each sound and its parameter settings as a program so you can instantly access it later. 495 PRESETS The inspiring 495 preset programmes each have a different sound and 64-step sequence that can be edited separately. You can also save up to 495 of your own programmes in the 5 user banks. PROPHET-6 FX Be creative with the Prophet-6-derived dual FX engine and use a single effect or pair 2 together to add extra texture to your sounds. FX includes Bucket Brigade Delay, Distortion, Ring Modulation, Chorus and Maestro Phaser. KEYBOARD & SCALE MODE The TORAIZ AS-1 will make sure your performance is in perfect harmony as you perform the sounds you create with the touchpad keyboard or change the notes assigned to the keys with Scale Mode. SLIDER Add dynamic changes to your performance by using the slider to manipulate 7 different parameters. Change the pitch of 2 oscillators, adjust the amount of FX and more. Features Arpeggiator 64-step sequencer Creative DJ setup Sound Editor LE Specifications Sound Generation Analog synthesis Programs 99 programmes x 10 banks (5 factory banks, 5 user banks) * Each program includes its own sequence pattern * Able to set up to 13 favourite programmes can be registered Width 267.4 mm Height 68.6 mm Depth 177.7 mm Weight 1.4 kg Power Supply AC adaptor DC 5 V Power Consumption 1500 mA Included Accessories AC adaptor Power cord Quick Start Guide warranty Synthesis Parameters Oscillator 1 Frequency Pulse Width Sync (Off, On) Oscillator 1 Waveshapes (continuously variable) Triangle Sawtooth Variable-width Pulse Oscillator 2 Frequency Fine Pulse Width Key Follow (Off, On) Low Frequency (Off, On) Oscillator 2 Waveshapes (continuously variable) Triangle Sawtooth Variable-width Pulse Oscillators Slop Mixer Oscillator 1 Level Oscillator 2 Level Sub Level Noise Level Low-pass Filter Cutoff Resonance Key Amount (Off, Half, Full) Velocity (Off, On) High-pass Filter Cutoff Resonance Key Amount (Off, Half, Full) Velocity (Off, On) Filter Envelope Low-pass Filter Amount High-pass Filter Amount Attack Decay Sustain Release AMP Envelope Amount Velocity (Off, On) Attack Decay Sustain Release Glide Rate Off, On Mode (Fixed Rate, Fixed Time, Fixed Rate A, Fixed Time A) LFO Frequency Sync (Off, On) Initial Amount LFO Shapes Triangle Reverse Sawtooth Sawtooth Square Random LFO Destination Oscillator 1 Frequency Oscillator 2 Frequency Oscillator 1 and 2 Pulse Width Low-pass Filter Cutoff High-pass Filter Cutoff VCA Modulation Source Filter Envelope Oscillator 2 Amount Modulation Destination Oscillator 1 Frequency Oscillator 1 Shape Oscillator 1 Pulse Width Low-pass Filter Cutoff High-pass Filter Cutoff Effects FX 1 Types Bucket-brigade Delay Distortion Ring Modulation FX 2 Types Chorus Low Resonance Phaser High Resonance Phaser Maestro Phaser Parameters Each effect has 2 adjustable parameters Sequencer Step Length Up to 64 steps Parameters Key, Velocity, Slew (Off, On) for each step BPM (shared with arpeggiator) Time Divide (shared with arpeggiator) Arpeggiator Mode Up Down Up + Down Random Assign Range 1 ~ 3 octaves Parameters BPM (shared with sequencer) Time Divide (shared with sequencer) Performance Controls Keyboard 13-key touch keyboard 22 preset scales 9 octaves: C0 ~ C9 (use with Oscillator 1 and 2 frequency parameters) Slider Parameters (multi assignable) Oscillator 1 Frequency Oscillator 2 Frequency Low-pass Filter Amount High-pass Filter Amount LFO Amount FX 1 Mix FX 2 Mix OLED Display Able to access all parameters MIDI Controllable Parameters Aftertouch Amount Aftertouch Destination Oscillator 1 Frequency Oscillator 2 Frequency Low-pass Filter Cutoff High-pass Filter Cutoff VCA LFO Amount Pitch Bend Range Up to -/+ 12 semitones Miscellaneous Key Mode Low High Last Low Retrigger High Retrigger Last Retrigger Alternative Tuning 17 preset tunings Terminals Outputs 1 AUDIO OUT L/R (1/4 inch TS Jacks) 1 PHONES (1/4 inch stereo phone Jack) MIDI 1 MIDI IN (5P DIN) 1 MIDI OUT/THRU (5P DIN) USB 1 USB B port Others 1 TRIGGER IN (1/4 inch TS jack) Trigger Input Able to connect a general foot switch or input audio signals Able to set the operation from 4 types: Pedal Trigger Gate Trigger-Gate

M ima analogni lowpass 24 dB/Oct sa filterom konrolisane voltaže (VCF, unapređeni tip SSI 2144), rezonancijom i analognom saturacijom, kao i istinski stereo analogni VCA sa pan(-ning) opcijom. Modulacija iz/od četiri napredna envelope generatora i dva LFO-a. Zadnji panel sadrži dva ¼“-na stereo izlaza za slušalice, dva ¼“-na stereo main output-a, kao i 4 x ¼“-na Aux izlaza. 5-pinski DIN MIDI konektori obezbeđuju In/Out & Thru. Uz to, instrument ima USB (tip B) MIDI konektor za direktno povezivanje s računarom. Slot za SD-kartice tu je za sbekapovanje i nadogradnju vaših omiljenih pečeva. Oscillators: 2 wavetable oscillators with independent wavetables and two different tone generation models - classic Waldorf Microwave I model and modern Waldorf Microwave II model. There are 96 Factory Wavetables + 32 slots for User Wavetables Filter: Analog low-pass 24 dB/oct VCF (SSI 2144 improved ladder type) with saturation Amplifier: Analog stereo VCA for each voice Envelopes: 4 envelope generators; 8 point loopable time/level wave envelope generator, VCF and VCA ADSR envelopes and a free assignable loopable 4 points time/level envelope LFOs: 2 LFOs with different waveforms Arpeggiator with 16 preset patterns, chord mode and the ability to synchronize to MIDI clock Sound storage: 2048 Sound programs + 128 Multi programs Polyphony: 8/16 voices polyphony (16 voices available with the expansion board installed) Multitimbrality: 4 parts, which can be assigned to 4 individual stereo outputs MIDI: USB 2.0 and DIN (5-pin DIN connector with in/out/thru) Compatible with classic Waldorf Microwave I sysex messages (sound bank transfer / sound transfer) SD card for loading / storing user content as soundbanks and wavetables

The OP-1 Field is now stereo throughout its entire signal chain and includes Bluetooth MIDI, USB-C, and an updated speaker system with a passive driver for detailed, fat, and loud sound. The battery has been expanded to 24-hours of continuous use, while the system engine offers multiple tapes and recording formats including Studio 4-Track, Vintage 4-Track, Porta, and Disc Mini. You'll love the new reverb effect and the Dimension synth engine. A flush, all-glass, high-resolution display is easier to read with all new graphics. The unit can also broadcast over FM for even more flexibility. All new low-profile aluminum body High-resolution flush display Internal FM antenna for both RX and TX Eight swappable tapes for recording Four different tape styles All-new drum-kit packs New Reverb Effect: Mother New Synth Engine: Dimension New speaker with passive radiator MFi/iPhone USB MIDI and audio connectivity Battery life increased to 24 hours Slimmer and sleeker profile New color scheme Dual Velcro back fasteners Twenty new preset synth patches Zoomed in sample editing Bluetooth Low Energy for wireless MIDI Pro quality 32-bit audio throughout the signal chain Stereo mixdown from synth and drum to stereo tape tracks Stereo drum sampler engine Improved drum envelope for better transient control Drum sample stacking Stereo audio input processing Improved tape looping Stereo synth sampler engine Over 160 minutes of sample storage 4-pole audio jack for headset mic support Configurable MIDI filtering New volume setting per patch Afterburner ground-loop noise suppressor Built-in user guide Dual BLE antennas for stable wireless performance New and improved built-in microphone Added encoder click functionality Tape name editor New external velocity LFO New range of custom accessories Up to 500 user patches Adjustable pitch bend range Automatic headphone impedance adjustment BLE advertising toggle BLE central for connecting controllers BLE connection list view Built-in FM radio transmission Charge power status LEDs Click-to-hold sequencer Completely reworked user interface Custom MIDI settings for connected devices Custom volume encoder with higher resolution Detailed country settings for radio Dual role USB Type-C connector Ergonomic power switch Ultrafidelity headphone output High-resolution accelerometer Improved averaging for a more reliable tap tempo Improved equalizer with higher resolution and smoother interpolation Improved input signal to LFO with smoother envelope Adjustable MIDI filtering Refined original patches Increase to 256 MB internal memory Improved envelope follow in Nitro effect More random LFO target parameters Increased tombola simulation accuracy MTP content management New custom USB cable New factory sequencer presets New font New form factor New high resolution VU LED meter New hold sequencer New keyboard module Improved line in signal quality New metronome sound New packaging New pan LFO target New sawtooth and square LFO shapes New sketch image OB-4 compatible using FM, TX, or wire Pop-up info graphics Precise master level meters Printed manual included QR code guide link Refined acoustic side shooting loudspeaker grill Save tempo and sync settings with tapes Screen brightness control Smooth knob interpolation Stereo cluster synth engine Stereo digital synth engine Stereo FM synth engine Stereo phase synth engine Stereo pulse synth engine Stereo string synth engine Stereo tape tracks Stereo voltage synth engine System settings USB audio host USB audio/MIDI direct connectivity to OP-Z, TX–6, OP–1 and compatible devices USB MIDI host User patch rename Wireless MIDI connectivity to OP-Z and TX–6 Teenage Engineering OP-1 Specs Line In/Out Input: 1/8" / 3.5 mm Output: 1/8" / 3.5 mm with Headset Microphone Support Microphone Built-In Microphone Input Impedance 13 Kilohms Analog Gain Range 0 to 31 dB Maximum Level Input and Output: 8 dBu, 2 Vrms Signal to Noise Ratio (SNR) Input: 98 dBA (Typical) Output: 124 dBA (Typical) Speaker Updated Speaker System with Passive Radiator for Extended Bass Response Motion Sensor 3-Axis Accelerometer (G-force) Assignable to any Synth, Envelope, Effect Parameter, or to Pitch Radio FM Radio Receiver and Transmitter Display High-Resolution Custom Color LCD Encoders 4 High-Resolution Encoders Battery Integrated Rechargeable Battery 24-Hour Battery Life Charging via USB Port Dimensions Not Specified by Manufacturer Weight Not Specified by Manufacturer Packaging Info Package Weight 1.78 lb Box Dimensions (LxWxH) 12.7 x 6.1 x 1.4"

Get 3D and build on your OP–Z experience with custom grip knobs for your encoders. made for live performance, or those who want an alternative way to play.

PO-14 sub deep bass line synthesizer with sequencer, parameter locks, play styles and punch-in effects. multiple real synthesizer engines 15 sounds + micro drum 16 punch-in effects 16 punch-in bass oriented play styles 16 pattern chaining

live synthesizer and sequencer, with parameter locks, glide control and punch-in effects. real 8-bit synthesizer engines for making live and sequenced melodies and leads 15 sounds + micro drum live play + sequencer combo 128 pattern chaining step multiplier

noise percussion drum machine and sequencer, with parameter locks, solo functionality and punch-in effects. sampled vintage hardware and real synthesizer engines solo control 128 pattern chaining 16 sounds 16 punch-in effects step multiplier

Synthesizer Specifications Connectors Square CV Key Input: 1/8" / 3.5 mm CV Control Input:1/8" / 3.5 mm PWM CV Input:1/8" / 3.5 mm Squarewave Output:1/8" / 3.5 mm Sawtooth CV Key Input: 1/8" / 3.5 mm CV Control Input:1/8" / 3.5 mm FM CV Input:1/8" / 3.5 mm Saw-Wave Output: 1/8" / 3.5 mm Sine CV Key Input: 1/8" / 3.5 mm CV Control Input:1/8" / 3.5 mm FM CV Input:1/8" / 3.5 mm Sine-Wave Output:1/8" / 3.5 mm Mixer Audio Inputs: 1/8" / 3.5 mm Audio Outputs: 1/8" / 3.5 mm Filter Audio Input: 1/8" / 3.5 mm CV Control Input: 1/8" / 3.5 mm Filter Output: 1/8" / 3.5 mm Env Gate Trig Input: 1/8" / 3.5 mm Env Output: 1/8" / 3.5 mm VCA Audio Input: 1/8" / 3.5 mm CV Control Input: 1/8" / 3.5 mm Audio Output:1/8" / 3.5 mm LFO Square-Wave Output: 1/8" / 3.5 mm Triangle-Wave Output: 1/8" / 3.5 mm Speaker/Amp Left Input: 1/8" / 3.5 mm Right Input: 1/8" / 3.5 mm Output: 1/8" / 3.5 mm Noise White Noise: 1/8" / 3.5 mm S&H: 1/8" / 3.5 mm Rand Random Output: 1/8" / 3.5 mm Input: 1/8" / 3.5 mm Rate: 1/8" / 3.5 mm Sequencer Output: 1/8" / 3.5 mm Forward/Backward: 1/8" / 3.5 mm Clock Input: 1/8" / 3.5 mm Clock Outputs: 1/8" / 3.5 mm Reset: 1/8" / 3.5 mm D1, D2, D3, D4: 1/8" / 3.5 mm Controls Square: Tune Knob Control Level Knob PWM Level Knob Saw: Tune Knob Control Level Knob FM Level Knob Sine: Tune Knob Control Level Knob FM Level Knob Mixer: Input Level Knobs Output Level Knob Filter: Frequency Control Knob Resonance Control Knob Control Level: 2 x Knobs Env: Attack Knob Decay Knob Sustain Knob Release Knob VCA: Gain Control Knob Level Knob LFO: Rate Knob Speaker/Amp: Volume Knob Rand: Level Knob Rate Knob Sequencer: CV Knobs Tempo Knob Physical Specification Power Optional (Not Included) AC/DC Adapter 12 V, Minimum 1 A (12 W) Polarity: Center Negative Plug: 4.75 / 1.7 mm Battery Power: 8 x AA Batteries (Not Included) Dimensions 8.4 x 12 x 7.2" / 21.4 x 30.5 x 18.3 cm Weight Not Specified by Manufacturer Packaging Info Package Weight 5.915 lb Box Dimensions (LxWxH) 18.5 x 10.8 x 3.6"

For over 40 years, the Moog Taurus has been the secret weapon of artists and producers around the globe for generating earth-shaking bass. The Minitaur is the newest addition to the Taurus family of Analog Bass Synthesizers. It is an inconspicuously compact, subharmonic bass machine designed to integrate seamlessly into any performance or computer-based music workflow . Just as its progenitors, the Minitaur effortlessly does one thing above all others… wall splitting analog BASS. The solid steel enclosure of the Minitaur is deceptively simple - offering immediate access to critical sound design and performance controls only. This makes Minitaur extremely fast and easy to use--but just under the surface lies a vast expanse of dynamic and inspirational power that is instantly accessible from almost any laptop or MIDI controller. The free Minitaur Editor software truly unlocks Minitaur’s power and flexibility by making DAW integration and control completely seamless on both Mac and Windows machines. Load and save up to 128 presets onto your Minitaur, select from 6 different modulation waveshapes , engage Hard Sync, access full ADSR envelopes, MIDI sync the LFO, reset oscillator waveform cycles, polychain with other Moog synthesizers and more. Every feature can be manipulated, automated and recalled instantly. Minitaur v2.2 The new Minitaur v2.2 update expands this powerful analog bass synthesizer with a host of new performance elements and user requested features, including front-panel access to new LFO wave-shapes, oscillator hard-sync and much more--and Minitaur's new Librarian/Editor Software makes DAW integration seamless between your synthesizer and Mac or Windows machine. SPECS SOUND ENGINE Analog PRESETS 128 Presets POLYPHONY Monophonic (Can be poly-chained) EXTERNAL CONTROLLER RESPONSE Keyboard, Pitch Bend, Mod Wheel, After Pressure and Velocity SOUND SOURCES 2 Waveshape Oscillators with Square and Saw waveshapes

Rhythmic Creation Without Rules Explore and craft rhythmic patterns with no experience necessary. A magical world of sound that grows with you. Easily integrates with Mother-32, Eurorack systems and any CV equipped device DFAM is the first addition to the Mother-32 family of synthesizers and presents an expressive hands-on approach to percussive pattern creation. It requires no patching, and absolutely no experience is needed for human-beings of any age to quickly begin synthesizing new and unique rhythmic compositions. Activated by an easy-to-use analog sequencer, DFAM’s emotive sound begins with a white noise generator and two wide-range analog oscillators - effortlessly transitioning between rhythmic pulsations, resounding bass and resonant bells in an instant. DFAM’s distinctive voice is then shaped by a classic Moog Ladder filter with two selectable modes: Low Pass mode imparts impact and dimension to each sound it touches, while High Pass mode opens the door to naturally expressive strikes, spikes and clangorous accentuations. DFAM behaves much like a living organism, reacting in different ways to different individuals. 3 dedicated analog envelopes work dynamically with the sequencer to ensure that tribal toms breathe, industrial impacts evolve, and cacophonous chaos can be spawned or subdued at the turn of a knob.Each DFAM ships with a package of Moog patch cables that unlock access to the 24-point modular patchbay. Use it to create new sounds or bizarre behaviors, synchronize an unlimited number of DFAM and Mother-32 units together, or fully integrate your analog instrument into a modular Eurorack production environment. Through exploration and experimentation, the vast potential of this expressive analog instrument is realized. Step into the creative spaces of DJ Haram, Stud1nt, & Umfang as they explore the new DFAM Semi-Modular Analog Percussion Synthesizer SPECIFICATIONS SOUND ENGINE Analog ANALOG SEQUENCER 8-Steps With Pitch and Velocity Per-Step SEQUENCER PANEL CONTROLS Tempo, Run/Stop, Trigger, Advance SOUND SOURCES 2 Oscillators With Square and Triangle Waveforms, 1 White Noise Generator, 1 External Audio Input FREQUENCY CONTROL +/- 5 Octaves (10 Octave Range) MIXER Level controls for Oscillator 1, Oscillator 2 and White Noise/External Audio Input FILTER 20Hz-20KHz Switchable Low Pass / High Pass 4-Pole Transistor Ladder Filter

Iridium koristi tri digitalna oscilatora i dva digitalna multi-mod filtera. Za još veću raznovrsnost, glasovi se mogu podeliti ili slagati multi-timbralno na dva dela. Svaki od oscilatora sposoban je za pet sintetičkih algoritama uključujući Wavetable, Waveform, Particle, Resonator i Kernal (koji nudi šest internih kernel operacija po oscilatoru, koristeći razne modulacije – FM, Ring-Mod, AM ili wavetable-bazirane audio-rate modulacije). Instrument generiše custom-wavetable(s) koristeći zvuk koji može da bude rutovan kroz audio ulaz Iridium-a, ili učitan iz interne ili sempl memorije. Type - Desktop Module Polyphony - 16 Voices Multitimbral - Dual Timbral: Split or Layered Mode with Separate Stereo Audio Outputs Oscillators: 3 Digital Oscillators Per Voice, Each Capable of Five Synthesis Algorithms, Wavetable: Waldorf Style with Latest Additions from Nave Including Speech Synthesis and Wavetable Generation from Audio, Waveform: Waveform with Up to 8 Simultaneous Waves per Oscillator in Detuned or Chordal Mode with Hard-Sync, Warp, and PWM, as Well as Tunable Noise, Particle: Sampler in Traditional and Granular Mode Using Multisamples or Live Input, Resonator: Exciter Using Multisampling Plus Filterbank Sound Model, Kernel: 6 x Internal Kernel Operators per Osc Using Various FM, Ring-Mod, AM or Wavetable Based Audio-Rate Modulations Filters - Two Digital Stereo Filters in Various Modes and Configurations Including Innovative Link Modes, Digital Former: Additional Digital Algorithms per Voice Like Comb, High-Pass, Band-Pass, and Notch Filters (Nave, Largo or PPG models), Bit-Crusher, Drive, and more Modulation: Complex Multistage LFO/Envelope Modulators, 6 LFO in Poly and Global Mode with Extensive Parameter Set, 6 Loopable Envelopes Extensive Modulation Matrix with 40 Slots and Easy Control Assignments Effects - Master Effect Rack of 5 Slots for Each Timbre, Choosing from FX like Phaser, Flanger, Chorus, Reverb, Drive, EQ, and MoreMain Output: Compressor Step Sequencer: Step Sequencer with Step Recording, Parameter Automation, and Scale-Based Pitch Quantization Tuning: Microtonal Pitch Configurations Capable of Importing Skala SCL Files Arpeggiator: Yes Chord: Chord-Play Mode with Hold and Latch Unison Mode: Yes Presets: Module-Based Preset System for Effects, Oscillators, and Complex Modulators Controls: Single-Function Potentiometer and Encoder Controls for Intuitive Editing, Pad Button Matrix: 4 x 4 Pads for Sequencer, Arpeggiator, Sampler, or Live Performance Control, Supports Polyphonic Aftertouch, Automation of Sound Parameters from MIDI Inputs via MIDI CC Learn Function Display: Visualization and Deeper Sound Editing via Context-Sensitive High-Resolution Capacitive Multitouch Display Spectral Analyzer: Spectrum Analyzer and Oscilloscope at Various Processing Stages Memory: Internal Flash Memory: 4 GB for Presets, Samples, and Wavetables, Up to 7000 Sound Patch Capacity Organized by Banks, Attributes, Author, and Patch Number, Favorites Lists for Quick Recall of Sound Patches Like for Set-Lists, Preloaded with a Wide Variety of Patches by Acclaimed Sound Designers like Howard Scarr, Preloaded with More than 1 GB Sample Data Inputs and Outputs: Main Output - 2 x 1/4" / 6.3 mm, Headphone Output - 1 x 1/4" / 6.3 mm and 1 x 1/8" / 3.5 mm, Inputs - 2 x 1/4" / 6.3 mm 4 CV Continuous Control Inputs Including CV Gate, CV Clock, and CV Start Inputs for Connecting EuroRack Modules or Compatible Devices Sampling: Recording of Samples from Audio Inputs or Self-Recording of Audio Outputs USB - Computer: USB Type-B, Controller: USB Type-A MIDI Connectors: Input: 5-Pin DIN, Out: 5-Pin DIN, Thru: 5-Pin DIN SD Card Slot: Export and Import of Presets, Samples, Wavetable, and Software Updates, Import of Nave Presets PowerExternal Power Supply: 12 VDC, 3 A (Included) Dimensions: 58 x 40 x 18 cm, Weight: 6.9 kg

The Solo Section offset presets named Bass, E-Piano or Clavi, and just like in your typical string machine, the sound has little to do with that name. Instead, these are shimmering and slightly percussive sounds that blend well with the string section. Although the User Interface is simple and easy to comprehend, it controls a rather complex sound engine which is capable to deliver rich and creamy pads unlike any other instrument. Twelve patches can be stored and selected in the Memory section, USB and MIDI are of course on board. Specifications 128 voice fully polyphonic Strings section Continuos morphing of Violin, Viola, Cello, Brass, Organ, Choir and more Registrations Animate Effect for Modulation of Strings Registration Ensemble Effect for Strings Eight voice polyphonic Solo section Layer/Split for Solo section Continuos morphing of Bass, E-Piano, Clavi, Synth, and Pluto for Solo Tone Tremolo for Solo section Phaser Reverb 12 programmable patches Stereo output Headphone output USB MIDI in/out Controls Volume Pot Strings Section with organic preset select, Crescendo and Release pots 3-state Octave switch (Base/Both/8va) 3-state Ensemble Mode switch Ensemble Effect pushbutton Solo Section with organic solo sound select pot Tremolo pot 3 state split switch (low/layer/high) 2 state sustain switch Balance pot Effect Section with 3 state switch (Chorus/Phase/Animate) Effect Depth pot 3 state switch for memory bank position (A, B, C) 4 pushbuttons for program number (1 to 4) Connections Stereo Audio out (Left/Stereo, Right/Mono) Headphone out USB MIDI MIDI in/out

arcade synthesizer and sequencer, with parameter locks, chord control and punch-in effects. rapid beat making and chiptune improvisation synthesized arcade sounds 128 chord chaining 128 pattern chaining 16 sounds 16 punch-in effects step multiplier

microphone for sampling 8 melodic sample slots 8 drum slots 40 second sample memory 15 punch-in effects step multiplier

on PO-35 use the built in microphone to instantly record your own voice, and completely change its character. play with it, sequence it and add effects and drums on top. PO-35 speak vocal synthesizer and sequencer with built-in microphone for 8 different voice character sampling. microphone for sampling NEW! 120 seconds sample memory NEW! sequencer parameter locks step multiplier 8 voice characters NEW! 8 effects NEW! transpose and change scale NEW! built-in speaker 3.5mm audio I/O replaceable drum sounds with microtonic (sold separately) NEW! jam sync animated LCD display folding stand break away lock tab clock + alarm clock battery powered (2xAAA) 1 month battery life 2 year standby time

The Mother-32 is a distinctive analog instrument that brings raw sound, step-sequencing and extensive interconnectivity to any electronic or modular ecosystem. This expansive live performance and production synthesizer is designed to provide experimental musicians and synthesists with a diverse array of creative tools to inspire new ideas, unique sound and endless sonic exploration. Drive synchronized sound with Mother 32’s powerful step sequencer while utilizing its modular patchbay and assignable output to spawn a living, breathing organism with dynamic and modifiable sound processing. Patch multiple control and sound sources into Mother-32’s voltage controlled mixers and truly unlock the vast potential of this powerful instrument, or pull all of the patch cables, plug in a MIDI cable and simply drive your Mother-32 from any MIDI-equipped device. The Mother-32 is secured in an extruded aluminum enclosure with wood sides, but can also easily be relocated to almost any Eurorack enclosure. Mother-32 Explorations During the prototype phase, Moog worked with 3 unique synthesists: Erika (Interdimensional Transmissions), Max Ravitz (Ghostly International), and Bana Haffar to produce a video that explores Mother-32’s vast capabilities. Through performance and sound design, each artist displays the extensive vocabulary found within Mother-32. All patches were performed live, with no overdubs. Mike Dean | Grande Faucon Mike Dean, one of the rap game's most prolific producers and its reigning master keyboardist, spent a weekend in the Moog Music Factory. SPECS SOUND ENGINE Analog POLYPHONY Monophonic KEYPAD 13 Note STEP SEQUENCER 32-Step with 64 Sequence Locations, Keyboard and Step Edit Modes SEQUENCER PANEL CONTROLS Tempo, Swing, Run/Stop, Hold, and Reset SOUND SOURCES 1 Oscillator With Pulse and Saw Waveforms, 1 White Noise Generator, 1 External Audio Input OSCILLATOR RANGE 8Hz-8KHz (16KHz max with LFO/CV)

PO-12 rhythm 16 sound drum machine and sequencer, perfect for making beats. parameter locks and punch-in effects. real synthesised drum sounds sampled drum sounds 16 punch-in effects 16 pattern chaining step multiplier

As an all-new, all-analogue synthesizer design, Pulse 2 flawlessly delivers exactly what synth connoisseurs around the world have been truly craving for quite some time — three analogue oscillators living in perfect harmony with a VCF (VoltageControlled Filter), yet we did not stop there: the fresh filter circuits in the Pulse 2 now offer 12dB Highpass and Bandpass modes in addition to 24dB/12dB Lowpass for strengthened sound-sculpting flexibility, while we added analogue Filter FM, two Overdrive circuits, and Ring Modulation from OSC 3, together with Paraphonic and Unison modes allowing up to eight-voice chords — a fantastic feature found on our recently-released Rocket Synthesizer. Pulse 2 is housed in a sturdy metal desktop casing. Alongside its generous 128x64-character backlit LCD, eight eye-catching stainless steel knobs are available to nimbly navigate through the parameter matrix — logically laid out across the front panel for all to see at all times, set the master Volume, and easily edit display-accessible parameters. Connectivity comes well catered for courtesy of USB, MIDI In, MIDI Out, Ext In (external analogue signal input), line OUT, and headphone output — not forgetting, of course, CV Out (supporting both the V/octave and Hz/V standards) and Gate Out (V-Trigger- and S-Trigger-compatible), allowing a myriad of suitably equipped older (or newer) synths to be connected to the Pulse 2 to mirror whatever MIDI ‘note’ information is being played by the Pulse 2, including the output of its powerful ARP (arpeggiator). And if that’s not enough to be getting on with, the CV Out can even be modulated in the eight-slot modulation Matrix, making for even more tantalising tone colours and performance possibilities! Alongside analogue must-haves like a noise generator, Pulsewidth modulation, and hard Sync, other notable features include an Alternating Pulsewidth Modulation mode new to the Pulse 2 (offering a dense PWM sound without affecting perceived loudness), and an XOR Osc mode (that is a binary XOR combination of two PWM oscillators with two distinct output levels — high and low only — capable of producing inharmonic spectra unlike anything associated with any analogue synthesizer other than the original Pulse) — all of which, of course, contribute to kickstarting those still sought-after sounds right here, right now in the 21st Century. Speaking of which, 500 onboard sound programs should be more than enough to keep the most diehard synthesist smiling! What’s more, all are backwards-compatible with the original Pulse series, so original Pulse owners can quickly transfer their favourite sounds to their new Pulse 2 via MIDI (dump). Thanks, then, to the timely arrival of the Pulse 2 Analog Synthesizer, readily reincarnated ballsy bass tones and legendary leads beyond compare can all be yours with much more besides in a truly 21st Century compact and bijou performance package priced to go! Specifications Analog Monophonic Synthesizer 3 analog oscillators + 1 noise generator Pulse width modulation Hard sync Filter FM from Oscillator 3 Ring Modulation from Oscillator 3 XOR Osc Mode 8/4 Voice Paraphonic modes Cascade Filter 24dB/12db Lowpass, 12db Highpass/Bandpass filter modes Powerful Arpeggiator 8-slot Modulation Matrix USB MIDI External analog signal input Stereo line out Headphone out Backwards compatible with classic Pulse 128x64 character backlit LCD 8 stainless steel knobs 500 Sound Programs Electron-absorbing black case

It's incredible sound is much more louder than the legendary Saturn V engine, and never before has this been achieved with such an enormous fun factor. It features an analog multimode VCF with lowpass, bandpass, and highpass, resonance up to self oscillation and beyond, a powerful monophonic oscillator section with Ultra High Density Sawtooth and unison for chord play. Furthermore equipped with a powerful Arpeggiator and a destructive Booster circuit, this Rocket is technologically way ahead of all current defense systems. Rocket is an ideal fun sound design machine, which in combination with its extremely attractive price, will appeal to any sound designer and musician interested in quality sounds. It works as a stand-alone instrument or in any imaginable music production environment. But its most important feature is of course its sound: a real Waldorf synthesizer, powerful, direct and with a lot of love for the details. And of course, this Rocket is 100% Made in Germany - With Love! Specifications Technical specifications: Analog multimode-filter (VCF) with Low Pass / Band Pass / High Pass VCF-input Highly flexible oscillator-section with pulse width modulation and hard sync Up to 8 oscillators in unison for chords or Ultra High Density Sawtooth Low Frequency Oscillator (LFO) for modulation Envelopes for VCA, VCF and Sync Booster circuit to generate aggressive sounds Arpeggiator with different rhythmic patterns Glide USB powered MIDI in and out Extensive control panel with high-end pots and switches Control via MIDI and USB MIDI clock sync Line output Loud headphone output Launch key for easy pre listening Made in Germany